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They soon join a traveling circus that just so happens to employ Il Matto. Zampano tracks her down and forces her to back. This decision puts her on the road which leads to town and ultimately to Il Matto, a high wire clown. Such tactics prove to have the opposite effect of those intended as Zampano’s constant displays of cruelty finally results in a rebellion by Gelsomina and the decision to leave the act.
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At one he leaves her stranded in the street as he enjoys a tryst with another woman and later he uses a switch from a tree to whip her as punishment for getting her lines wrong. Nevertheless, the brute nature of the strong man is one that always resorts to intimidation and even frightening coercion to keep Gelsomina under his thumb. Gelsomina is a trusting and naïve soul, but she genuinely enjoys performing for the crowds and interacting with Zampano.
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Ultimately, he teaches her how to incorporate a snare drum and trumpet into the act which requires her to dance a little and clown a little. Zampano’s nature is that of a rather frightening brute while Gelsomina quickly develops into the perfect partner due to her lighthearted and innocent character. Zampano makes his living on the streets by performing acts of strength in front of crowds such as breaking an iron chain across his expansive chest and then waiting for the tips to be placed in the hat that is passed around. In return for 10,000 lire, Gelsomina’s mother turns her daughter over the circus performer and watches as the two depart the very day. Upon Rosa’s recent death, Zampano returned to the Rosa’s family to see about making the same deal for her sister Gelsomina. We are thankful for their contributions and encourage you to make your own.Ī young woman named Rosa left her family to become the assistant to a sideshow strong man named Zampano. From Drawing to Film" runs until Februat the Folkwang Museum in Essen.These notes were contributed by members of the GradeSaver community. The presentation makes Fellini's creative process clear - from the first idea to the finished work. From Drawing to Film," focuses on his drawings for the films Amarcord, Casanova, City of Women and And the Ship Sails on.Ībout 200 drawings are on display, juxtaposed with film clips, excerpts from scripts and set shots. The exhibition, titled "Federico Fellini. Drawings and film clipsįor the first time in three decades, Fellini's drawings are back on display in a major exhibition at the Folkwang Museum in Essen, showing works from the early 1950s to the early 1980s. "Just as the screenplay represents the verbal phase in the making of a film, I often draw sketches and characters during the preparation period because I want to capture and visually clarify a scene, a role, the costume of a particular character or a mood," Fellini said in a 1973 interview. He used sketches and drawings to visualize his ideas. Much later, his filmmaking career profited from his many years of experience with pen and paper. Humorous extravagance and dreamlike scenes: 'Amarcord' came out in 1973